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・ Karl Twitchell
・ Karl U. Smith
・ Karl Uchermann
・ Karl Ugland
・ Karl Uhle
・ Karl Ullmann
・ Karl Ullrich
・ Karl Ulrich Schnabel
・ Karl Unterkircher
・ Karl Urban
・ Karl Urban (aviator)
・ Karl V
・ Karl V. Teeter
・ Karl Vaino
・ Karl Valdemar Westerlund
Karl Valentin
・ Karl Valentin (composer)
・ Karl Van Roy
・ Karl Vanlouwe
・ Karl Vennberg
・ Karl Verner
・ Karl Vernon
・ Karl VII
・ Karl Vilhelm Zetterstéen
・ Karl Vogt
・ Karl Volk
・ Karl Vollers
・ Karl Vollmöller
・ Karl Vollmöller (philologist)
・ Karl vom Stein zum Altenstein


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Karl Valentin : ウィキペディア英語版
Karl Valentin

Karl Valentin (born Valentin Ludwig Fey, 4 June 1882, Munich – 9 February 1948, Planegg) was a Bavarian comedian, cabaret performer, clown, author and film producer. He had significant influence on German Weimar culture. Valentin starred in many silent films in the 1920s, and was sometimes called the "Charlie Chaplin of Germany".〔Michael Glasmeier, ''Karl Valentin: Der Komiker und die Künste'' (Munich: Carl Hanser Verlag, 198Michael Glasmeier, Karl Valentin: Der Komiker und die Künste (Monachium: Carl Hanser Verlag, 1987), str. 37.7), p. 37.〕
== Early work ==
Karl Valentin came from a reasonably well-off middle-class family; his father had a partnership in a furniture-transport business. Valentin first worked as a carpenter's apprentice, and this experience proved useful in the construction of his sets and props later in life. In 1902, he began his comic career, enrolling for three months at a variety school in Munich, under the guidance of Hermann Strebel. His first job as a performer was at the Zeughaus in Nürnberg (Nuremberg). In the wake of his father's death Valentin took a three-year break from performing during which he constructed his own twenty-piece one-man band (with which he eventually toured in 1906).〔Kurt Horwitz, "Karl Valentin in einer anderen Zeit," ''Stürzflüge im Zuschauerraum'' (Munich, Piper Verlag, 1970), pp. 16-17.〕 Valentin also took musical studies, learning the guitar with Heinrich Albert.
Soon Valentin was performing regularly in the cabarets and beerhalls of München (Munich). He developed a reputation for writing and performing short comic routines, which he performed in a strong Bavarian dialect, usually with his female partner, Liesl Karlstadt. Valentin also made numerous films, both silent and with audio;〔''Karl Valentin in Selbstzeugnissen und Bilddokumenten''. Michael Schulte. (Reinbeck bei Hamburg: Taschenbuch Verlag, 1968), pp. 130-133.〕 but it was as a stage performer in cabarets that Valentin built a reputation as one of the leading comic performers in Germany during the Weimar Republic.〔Calandra (2003).〕

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